Welcome back to the course. In this module we will explore the most important part of the screen for any designer: the toolbar in Urdu InPage. Once you understand these tools, designing a page becomes simple and even enjoyable.
I have spent years working inside this toolbar to lay out books, newspapers, and posters. When I train new designers, the very first thing I do is walk them through these tools one by one. Trust me, the moment these tools “click” in your mind, your speed and confidence will jump straight away.
Below, we will look at the toolbar, the working modes, and every key tool you need to know. Take your time, open InPage beside this guide, and try each tool with your own hands as you read.
The toolbar in Urdu InPage is the strip of small buttons, usually placed along the side of your screen, that holds all your main design tools. Think of it as the toolbox you keep at home. Each button has one clear job, and you simply pick the right one for the task in front of you.
Here is what you should know about the toolbar before we go deeper:
Get comfortable just looking at the toolbar first. Once the layout feels familiar, the rest of this module will make perfect sense.
Before touching the tools, you must understand the two main modes of InPage, because this single idea removes most of the confusion that beginners feel.
In simple words, one mode arranges your boxes, and the other fills them. You usually enter edit mode by double-clicking inside a box, and you return to object mode by selecting the Arrow Tool. Keeping these two modes clear in your head is the real secret to working quickly in InPage.
The Arrow Tool is the tool you will use the most, so make it your best friend. It is your basic selection and pointer tool, used to grab and handle any box on the page.
Whenever you feel lost or stuck inside a box, simply click the Arrow Tool. It instantly brings you back to safe ground in object mode, ready to arrange your layout again.
The Hand Tool does not change your design at all. Instead, it moves your view of the page, which is very useful when you are zoomed in and working on small details.
I rely on the Hand Tool constantly when I zoom in close to fix tiny Nastaliq spacing. It lets me glide across a large page smoothly, without fighting with the scroll bars on the edges.
The Rotation Tool lets you turn a box to any angle you like. This is perfect for slanted headings, tilted stamps, or creative designs that should not sit perfectly straight.
A word of advice from experience: use rotation gently. A slight tilt can look stylish, but too much rotation on Urdu text can make it hard to read. For most documents, straight text is still the cleanest and safest choice.
This tool is a true lifesaver, and learning it early will save you hours. The Linking Tool joins two or more text boxes so that your writing flows automatically from one box into the next.
De-linking simply breaks this connection when you no longer want the boxes joined. On my first book project, I had not learned linking yet, and I painfully cut and pasted text box by box. Once I discovered linked boxes, long articles and multi-page chapters became effortless.
The Text Box Tool is the heart of InPage, because this is where all your normal writing lives. Every paragraph, sentence, or column of body text sits inside a text box that you create.
Think of each text box as a container for your words. Once you can create and fill these boxes with confidence, you are already doing real page design.
The Heading Box Tool is made specially for titles and headings, the large, eye-catching text that sits at the top of articles and pages. It is built to display bold Nastaliq headings beautifully.
In my newspaper work, the heading box was a daily hero. It is the difference between a flat page and a page that grabs the reader’s eye from the very first glance.
The Picture Tool, often called the picture box, lets you add images such as photos, logos, and design elements into your document. The box first marks the space, and then your picture sits neatly inside it.
Keeping pictures inside boxes is what makes InPage layouts so tidy. You can move the whole box around the page, and the image always travels neatly along with it.
Finally, the Drawing Tools let you add simple shapes such as lines, boxes, and circles. These small touches are perfect for borders, dividers, and frames that make a page look organised and professional.
I often use a simple line to separate two news items, or a clean box to frame an important notice. These plain shapes seem minor, but they bring real structure and polish to any layout.